MEEM



Title
Phases

Location
Toronto, ON

Type
Academic

Program
Bath House

For
Andrew Levitt

At
University of Waterloo School of Architecture 




The Toronto Islands serve as a retreat for the diverse collection of people within the city, each with their own histories. It was important that the space did not reflect any specific group of people but the same diverse collection of histories. The project began with research into the cleansing typologies of the world to first understand how they work individually and how they relate to one another through differences, adjacencies and overlaps. This would help formulate a spatial strategy that would condense and reconcile them all with each other and produce a toolkit for design application. Something that was discovered was the role of the basin and its presence in many cultures, either by itself, or in conjunction with other bathing spaces; this became the mediator of the space. The basin corridor negotiates between a sequence of rituals personified by “gardens” within the bounds of the exterior flood walls that reveals very little to the outside world and creates an internalized space for retrospection. This makes the sequence of rituals much more purposeful. One must pass through each phase with intention.

We begin with the entry garden—a small courtyard that opens to the cafe, event building and administrative spaces. This is an invitation to enter the space but also an initiation for ritual. Second is the changing garden—a gender neutral changing building with access to a garden. This is where an individual is separated and sent to prepare themselves for their journey. Third is the pool garden—the space is made up of several courtyards that frame outdoor pools. From separation, we now have a collection of people, brought together as a community, for ceremonious activity. After the long pilgrimage, cleansed and prepared, we are ready to spiritually journey on our own. The spa garden is the last stop. It’s a field of hills with small buildings embodying different spa cultures, removing the otherness that the luxury western spa, or any individual form, can create by producing a multitude of familiarities that draw one in while also creating exposure to the new. At the center we have the main sauna, that has a small outlook that brings one to the skies, and the end of their journey. This phase is really about exploration at one’s own accord, setting individual intentions and reaping the rewards of their pilgrimage. All along the journey, one is rigorously oriented through this liminal corridor, filled with basins, tubs and showers of varying intimacies, encouraging to cleanse before and after different activities as well as exposing them to the presence of a variety of cultures to prepare for the spa garden. The objectness of the components of the building lend to an efficient systems strategy. Each space can be individualized and separate from a large system according to the buildings seasonal usage.